Hurrah it’s my turn on the Six Stories by Matt Wesolowski blog tour. Due to having a ridiculously busy month I couldn’t get Six Stories read in time which I’m pretty gutted about. Instead I have a fab guest post by Matt on ‘Tying Up The Threads’ Before I hand you over to Matt here’s what Six Stories about…
1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip, and the flimsy testimony of those living nearby.
2017. Enter elusive investigative journalist Scott King, whose podcast examinations of complicated cases have rivalled the success of Serial, with his concealed identity making him a cult internet figure.
In a series of six interviews, King attempts to work out how the dynamics of a group of idle teenagers conspired with the sinister legends surrounding the fell to result in Jeffries’ mysterious death. And who’s to blame… As every interview unveils a new revelation, you’ll be forced to work out for yourself how Tom Jeffries died, and who is telling the truth. A chilling, unpredictable and startling thriller, Six Stories is also a classic murder mystery with a modern twist, and a devastating ending.
Sounds good, right? The reviews for Six Stories have been great and this is one I will be trying to push up my TBR pile. Anyway, I will hand over to Matt…
Tying Up The Threads by Matt Wesolowski
I once went to a writing event and heard an author talk about how she planned and kept track of her plot lines. A great whiteboard in her writing room, spider-legs of red pen, like the web of some criminal investigation. That’s such a good idea, I thought to myself, I should really get rid of my shelves of skulls and odd trinkets, get a whiteboard, do this writing thing properly. Why do I do things so backwards?
I never got round to it, I’m afraid.
The amount of times I have tried to plan, to keep track of a plot, to make fastidious notes about characters and locations, all to no avail. These notes end up between tea-stained scraps of A4 that cower, unobserved beside my keyboard or else piled beneath books about monsters.
I just can’t do it. Every other aspect of my life is bound by logistics. All but my writing.
I often feel like that scene in the office where David Brent is being reprimanded and asked why he never writes anything down.
“It’s all up here.” Brent says, tapping his temple.
“It’s not though, is it David?”
I feel like I’m David Brent, ridiculous ideas pirouetting through my mind, never settling into a semblance of order.
What I tend to do when writing is start with an idea, an image then spool out a load of different threads in a story and hope for the best. Yes, that’s as technical as I get, I’m afraid.
It’s hard to explain, but it’s very rare that I know what’s going to happen at the end before I start a book, usually I just start and hope that somehow the end ties itself up on its own.
Which 99% of the time it does. I shelved a manuscript 50,000 words in because there just seemed no way anything would resolve. Maybe I’ll go back to it. Most probably, I wont.
I’ve tried to plan, I’ve tried to flesh out characters before I start, even draw maps of my imagined locations but they’ve all killed the story stone dead.
When I was writing Six Stories, I actually had no idea who killed Tom Jeffries or why, when I began. I just knew he was dead and the circumstances of his death. This was the quickest novel I ever wrote (1st draft was completed in about 4 or 5 months) and I didn’t research, I didn’t plan, I just wrote. The reasons for his death would come in their own time. If I kept writing, surely they’d come…
Believe it or not, I actually didn’t know how or why Tom Jeffries died until I was half way through episode five! It was panic stations for a while, wondering if this novel would end up on the unfinished, never-to-be-looked-at-again part of my hard drive.
I wasn’t going to let this happen for the second time in a row so I just waited until the solution hit me, which it eventually did (probably in the shower, I usually get over a knotty plot-point in the shower).
So there you have it; I have no strategy for plotting, no formula for writing, my characters emerged as pale things, skeletal; they took their forms as I wrote them, as did the plot.
For me, this is the most exciting thing about writing, that not-knowing until you are hit with a revelatory moment where, somewhere in some dark place at the bottom of your subconscious mind, those threads that you spooled out somehow knit themselves together.
Because who wants to have the ending spoiled?
About the Author
Matt Wesolowski is an author from Newcastle-Upon-Tyne in the UK. He is an English tutor and leads Cuckoo Young Writers creative writing workshops for young people in association with New Writing North. Matt started his writing career in horror and his short horror fiction has been published in Ethereal Tales magazine, Midnight Movie Creature Feature anthology, 22 More Quick Shivers anthology and many more. His debut novella The Black Land, a horror set on the Northumberland coast, was published in 2013 and a new novella set in the forests of Sweden will be available shortly. Matt was a winner of the Pitch Perfect competition at Bloody Scotland Crime Writing Festival in 2015. He is currently working on his second crime novel Ashes, which involves black metal and Icelandic sorcery.
A massive thank you to Matt for the bloody brilliant guest post and to Karen at Orenda for inviting me to take part in the blog tour.
Be sure to check out the other hosts on the Six Stories blog tour…